Howard Shore

Howard Leslie Shore (born October 18, 1946) is a Canadian composer, notable for his film scores. He has composed the scores for over 80 films, most notably the scores for The Lord of the Rings film trilogy, for which he won three Academy Awards. He is also a consistent collaborator with director David Cronenberg, having scored all but one of his films since 1979.

 

He has also composed a few concert works including one opera, The Fly, based on the plot (though not his score) of Cronenberg's 1986 film premiered at the Théâtre du Châtelet in Paris on July 2, 2008, a short piece Fanfare for the Wanamaker Organ and the Philadelphia Orchestra, and a short overture for the Swiss 21st Century Symphony Orchestra. Howard Shore also scored for The Twilight Saga: Eclipse, the third film of the five-film series.

Shore is a three-time Academy Award winner, and has also won three Golden Globe Awards and four Grammy Awards. He is the uncle of film composer Ryan Shore. Shore serves on the Board of Trustees at his alma mater, Berklee College of Music

Shore's first film score was to David Cronenberg's first major film The Brood (1979). He would go on to score all of Cronenberg's subsequent films, with the exception of The Dead Zone (1983), which was scored by Michael Kamen. The first film he scored that was not directed by Cronenberg was Martin Scorsese's After Hours.

Following After Hours, he scored The Fly (1986), again directed by Cronenberg. Two years later, he composed the score to Big (1988), directed by Penny Marshall and starring Tom Hanks. He then scored two more of David Cronenberg's films: Dead Ringers (1988) and Naked Lunch (1991).

During 1991, Shore composed the score for the highly acclaimed film The Silence of the Lambs, starring Jodie Foster and Anthony Hopkins, and directed by Jonathan Demme. He received his first BAFTA nomination for the score. The film became the third (and most recent) to win the five major Academy Awards (Best Picture, Best Director, Best Screenplay, Best Actor, and Best Actress). Shore is the only living composer to have scored a "Top Five" Oscar winning film.

During 1993, he composed the scores for M. Butterfly (another collaboration with Cronenberg), Philadelphia (his second collaboration with Jonathan Demme), and Mrs. Doubtfire, directed by Chris Columbus. The latter two films were highly successful; Philadelphia winning Tom Hanks his first Oscar.

Shore scored another three films in 1994: The Client, Ed Wood, and Nobody's Fool. Ed Wood is notable for being one of the two films directed by Tim Burton that did not feature a score by Danny Elfman.

Shore continued to score numerous films from 1995–2001, including two David Fincher films, Seven (1995) The Game (1997) and The Truth About Cats and Dogs (1996); also, he collaborated on two films with Cronenberg along with Tom Hanks' directorial debut, That Thing You Do!. Shore composed the score for the 2000 film The Cell.

Shore's major success came in 2001 with his score to The Lord of the Rings: The Fellowship of the Ring, the first film in the highly acclaimed The Lord of the Rings trilogy. The news that Shore would score the trilogy surprised some, since he was primarily associated with dark, ominous films and had never scored an epic of this scale. However, the score was hugely successful and won Shore his first Oscar, as well as a Grammy Award, and nominations for a Golden Globe and a BAFTA. A cue from this film (The Bridge of Khazad-Dûm) was used in a teaser for 2013's Superman film, Man of Steel.

The following year, Shore composed the scores to Panic Room, Gangs of New York (replacing Elmer Bernstein), and The Lord of the Rings: The Two Towers, the second film in the trilogy. (The latter two films were both nominated for the Academy Award for Best Picture, although neither won.) Initially, Shore's score for The Two Towers was deemed ineligible for submission to the Academy, due to a new rule that disallowed the submission of scores which contained themes from previous work. However, this rule change was subsequently reversed, making the score eligible again. Ultimately, The Two Towers score did not receive an Academy Award nomination; Shore did, however, receive a BAFTA nomination for Gangs of New York

In 2003 he composed the score for the final film in The Lord of the Rings trilogy, The Lord of the Rings: The Return of the King. The film was the most successful film in the trilogy and the most successful of the year. Shore won his second Oscar for Best Original Score, as well as a third for Best Original Song for "Into the West", which he shared with Fran Walsh and Annie Lennox. The film was nominated for, and won a total of eleven Academy Awards, a record for the number of Oscars won by a single film, and a record that only two other films — Titanic (1997) and Ben-Hur (1959) — have matched. Shore also won his first Golden Globe, his third and fourth Grammy (the fourth for Best Song), and was nominated for a third BAFTA. The scores of The Lord of the Rings, performed primarily by the London Philharmonic Orchestra, became one of the most successful film scores ever written, and the biggest success in Shore's career.

In 2004, Shore again collaborated with Martin Scorsese, scoring his epic film The Aviator, this time with the Brussels Philharmonic. He won a second Golden Globe for the score, becoming the third composer to have won consecutive Golden Globes in the Original Score category. He also received his sixth Grammy nomination, and his fifth BAFTA nomination.

He collaborated again with David Cronenberg in 2005 to score A History of Violence, starring Viggo Mortensen. The film was a success and received two Oscar nominations. In 2006, he collaborated for the fourth time with Martin Scorsese, this time to score The Departed. The film was highly successful and won four Oscars, including a long awaited win for Scorsese, and Best Picture.

Although Shore was originally commissioned to compose the soundtrack for King Kong, he was later replaced by James Newton Howard due to "differing creative aspirations for the score" on his and the filmmakers' parts. This was a mutual agreement between himself and Peter Jackson. Despite this, Shore has a cameo near the end of the film as the conductor of the orchestra in the theater, performing portions of Max Steiner's score to the original 1933 version of the film.

Biography by  http://en.wikipedia.org/wiki/Howard_Shore